A couple of weeks ago some colleagues and I were filming a one minute ‘trailer’ for a non-existent television show. The post with my character’s picture is here – Coming Soon
This is one of the other characters as played by Callie, a colleague.
Photography: Andrew Robson
Model: Carel (Callie) Louw
Copyright: 2011
Photographer: Andrew Robson
Copyright: 2011
So they put up the fence and told him, “Don’t you ever come across there or we’ll kill you, hear?”
Continued from 12th and 13th December.
I am already halfway to my feet before I catch myself. This is none of my business. I sit down again. The trucker looks straight at me with icy eyes and cocks his head back; a challenge.
I hold his gaze for a moment, then look down at the menu. Its words swirl meaninglessly.
My Daddy taught me that to back down is cowardly. But my Daddy isn’t here. And he can’t remember how many times I saw, from the back seat of his car, his lights punched out in the parking lots of bars. Back then I’d started to plan how I would’ve handled those situations differently. This is one of those situations.
“Here we go,” she says sliding a cup of steaming coffee onto the table. “You having anything else?”
“A piece of that chocolate cake I saw when I came in?” I point towards the door.
Her space fills with stillness. I glance up. Her pen is aimed at a little white writing block she holds in front of her face. I can see her eyes looking over the top of the writing block. Looking right at me. I get that sense of being strangled again, of my blood heating up and running so fast through my brain that my mind feels light and dizzy.
“Sure,” she says putting the pen and paper into the opening of her apron. “Would you like some cream with that?”
Photographer: Andrew Robson
Copyright: 2011
The horse watched him. And the horse recognized his wildness.
Continued from yesterday…
“Good morning, Sir. Have you been helped yet?” the drawl of her smoky voice has a history of poverty.
I shake my head, unwilling to trust my own voice. It feels like someone is strangling me. I am faint. My blood is boiling in my head.
“Hang on a sec for a menu, okay?” she says, then walks toward the till.
I am weakened and thrilled by the sight of her pert ass jiggle from side to side underneath her skirt. The backs of her nude, white legs, formless as pencils and so confident in their youthful stride, captivate me.
She whisks a menu from behind the counter and starts back. I avoid her eyes by looking elsewhere, only to see the trucker lick chocolate covered fingers with salacious delight as she passes by him. I bite my lip.
“Here we go,” she says placing the menu in front of me with a graceful sweep that brings with it a waft of her deodorant tainted sweat. “Can I get you a coffee?”
“Yes.” It’s my voice. Sounds so foreign. Still, I avoid looking at her.
She walks off again. I peek.
“Hey, Honey,” the trucker grumbles, stopping her with a hand as she is just about past his booth.
She gasps. Even the kids in the background fall silent at the sound.
“How ‘bout another one just like that,” the trucker says and stabs his empty plate with a blunt, fat finger.
I am already halfway to my feet before I catch myself. This is none of my business. I sit down again. The trucker looks straight at me with icy eyes and cocks his head back; a challenge.
When I enter the diner that’s the first thing I take in. The space. How it’s filled. How it exists.
The most dramatic and immediate change from the space I’ve just left behind is the assault of cooking oil and ammonia on my nose. Do people still clean with ammonia?
Then the colors. Red leather benches. White tabletops. Pink uniforms.
A toddler three tables to the right of the entranceway pitches a spoon into the air. It forms an impressive arc before it comes to a ping and skittle on the cream tiled floor. His brother laughs. His mother scolds.
I head left. I pass an enormous trucker wolfing a chocolate and syrup waffle. An old man stares at his reflection in a mirror behind the counter as he waits for his change. The waitress, whose rings under her eyes match her charcoal hair, scratches in the till with her fingers, and the flesh of her underarms flaps gently.
I take my seat in the last booth before the bathrooms. My back is against the wall. I sense someone behind me. She exits the corridor wiping her hands on her apron.
Her skin is like snow right before sunset; her hair the sun about to set. Her lips are a strawberry, her eyes are two invigorating pools reflecting the sky on a mountaintop.
“Good morning, Sir. Have you been helped yet?” the drawl of her smoky voice has a history of poverty.
Spent some time this weekend having a blast with my colleagues filming a one minute ‘trailer’ for a non-existent television show. I’ll let you know once it’s edited and up on YouTube.
